Future Folk: Remixing culture through digital technologies
Friday 6th February 2026
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Future Folk: Remixing culture through digital technologies brings together leading choreographers, digital artists, creative technologists, and academics for a day of discussion and exchange. Rebecca Evans (Pell Ensemble, UK) and Chieh-hua Hsieh (Anarchy Dance, Taiwan) are joined by other artistic and academic voices exploring folk, dance and music through digital technologies (AI, motion capture, games and immersive environments). Together, Rebecca and Chieh-hua, will share their work-in-progress from new international collaboration, Field / Zhèn, and explore how AI and dance can be used to preserve, transform, and remix cultural memory.
Start your day with Donald Shek’s hands-on workshop in AI, movement, and motion capture, with techniques you can immediately apply to your own practice. Then dive deeper in the afternoon as he breaks down the creative techniques driving his practice.
We’ll also hear from artist–researcher Friendred Peng, who will dive into their groundbreaking research on body movement and algorithmic machines, plus additional speakers to be announced soon.
Through workshops, talks, and panels, Future Folk asks: What happens when folk and digital systems meet? How do stories move across bodies, borders and code? And what are the responsibilities of working with AI in culturally rooted creative practice? This is a vital gathering for anyone interested in the future of performance, heritage, and technology.
Proposed Schedule for the day:
10:00-10:30 : Welcome and networking *coffee, tea provided throughout the day and pastry on arrival
10:30-12:30: Transforming movement into ritual through AI.
Join artist Donald Shek for an immersive workshop exploring processional movement, presence, and becoming through AI motion capture. Participants will engage in a collective digital procession inspired by the Hill of Tara, seat of ancient kings, and the solitary hawthorn fairy tree, long regarded as a threshold between this world and the otherworld.
You will be invited to explore gentle, processional forms of movement, which will be video-recorded and translated through AI motion capture into a living digital effector within a 3D environment. This space draws on the myths, rituals, and ceremonial gestures that have shaped the site’s long cultural memory, transforming your movements into part of a shared digital rite.
No dance experience is required, no need to bring any equipment. Participants are encouraged to move in whatever way feels natural, intuitive, or reflective.
What You’ll Get Out of It
Experience how AI motion capture works and how simple movement can become digital animation.
Participate in creating a collaborative digital artwork shaped by the group’s gestures and presence.
Explore movement in a low-pressure, beginner-friendly way—no dance experience needed.
Learn how myth, place, and technology can blend to inspire new forms of storytelling and performance.
12:30-13:00; Share outcomes of the workshop that participants have generated
13:00-14:00: Lunch (not provided)
14:00-14:30: Rebecca Evans and Chieh-hua Hsieh: Talk on Field / Zhèn: a new work using AI to generate folk tales from the future
14:30-14:50: Donald Shek : Artist Talk
14:50-15:10: Friendred Peng : Artist/Researcher Talk
15:10-15:30: Tim Murray-Browne: Artist Talk
15:30-16:00: Panel discussion and Q&A with invited guests and Rachel Elliott, Education Director, English Folk Dance and Song Society.
This symposium is supported and co-commissioned by Kakilang, with additional support from the English Folk Song and Dance Society. Initial R&D co-commissioned by Kakilang, funded by the National Culture and Arts Foundation, Taiwan. Additional support VIP Studios at University of Nottingham and Alexander Whitley Dance Company. Produced by Step Out Arts.